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Artist Credit DanielaUhlig (https://www.deviantart.com/danielauhlig)
Welcome.
Many of you have been in this community for a long time, but whether you’ve just joined or you’ve been a member since day one, this is your first impression of the new DeviantArt.
Change is not something that we take lightly, because it affects our collective identity. It was important for us to define who we are and what we’re made of at our core before we changed anything. We all have our own understanding of what that means, but the process of getting that core story down on paper took almost a year.
The result is “Bleed and Breed Art.&
Clive Barker: Return of The Dark Master by techgnotic, journal
Clive Barker: Return of The Dark Master
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By techgnotic (https://www.deviantart.com/techgnotic)
His Books of Blood in the 1980s established him as a premier master of the horror narrative, on an equal level or even surpassing Stephen King, who said of him;
I have seen the future of horror, his name is Clive Barker.
Stephen King
Like King, Barker’s works of horror have been adopted and adapted for movies, his stories becoming the basis for the Hellraiser and Candyman series and many more. Beyond his stories being used as source material, Barker has worked as screenwriter, producer, actor and director in the film world.
As with Stephen King, many of Clive’s fans have found him through enjo
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“Some use Ink, I confide in Silver”
— Lauren E. Simonutti
lauren-rabbit (https://www.deviantart.com/lauren-rabbit)
Quote by Lauren E. Simonutti
“ The misfirings of my beloved/despised mind that conspire to convince me to destroy all have rendered me housebound and led to a solitary life. A creature of past, proof, memory and imaginary friends, I am aware enough to know the things I see and hear are not real, but that does not mean I do not still see and hear them.”
Forewordby techgnotic (https://www.deviantart.com/techgnotic)
For a very long time Lauren Simonutti's haunting photographs were a spectral presence amongst the deviantART community, as emulato
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Foreword by techgnotic (https://www.deviantart.com/techgnotic)
Christopher Behrens, the 7-year deviantART member contributing this wonderful history of watercolors to depthRADIUS (https://www.deviantart.com/depthradius), along with curating artists and interviews, is a modern renaissance man held in high regard by fans of his unique artistic vision. He is an independent filmmaker, author, and a masterful watercolorist in his own right. His gallery of works can be perused here.
Watercolor by ctbehrens (https://www.deviantart.com/ctbehrens)
T
he history of painting begins with watercolor as it is the oldest painting medium. Ground pigments have been unearthed in Africa dating as far back as 60,000 B.C., a
Mentions: Connecting People
Mentions are a new, highly requested feature that makes engaging friends and artists in conversation more dynamic than ever before.
What is a Mention?
A Mention is when a deviant’s username, icon, or artwork is included in a comment or Journal. Mentions create links to the deviants or artwork you include, allowing you to highlight artists and engage deviants with ease.
Links to pages on deviantART can quickly be distinguished by their bold, dark-blue color, while external links are darker and have an arrow indicating you are leaving deviantART.
Deviants you mention are notified in the new Mentions section
Otto and Victoria, Octovictorian Etiquette by techgnotic, journal
Otto and Victoria, Octovictorian Etiquette
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by techgnotic (https://www.deviantart.com/techgnotic)
There is no cosmic law that states artists must suffer many long years and demeaning day-jobs before a window of opportunity cracks open just enough to hop on through.
Fellow deviant Brian Kesinger is a case in point.
His first “day-job” in 1996—he was hired straight out of his senior year of high school—was drawing Tarzan for Disney.
Brian stayed at Disney and he considers every day there a part of his ongoing education as an artist. He most recently worked on “Wreck It Ralph,” and has become active in the story department, where he
Mar 22, 2013by techgnotic (https://www.deviantart.com/techgnotic)
depthRADIUS
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A study in artistic diversity, Bernardo Medina embodies the renaissance spirit of the consummate artist, always inspired and inspiring artists around him to create and capture the rhythms of life and beauty in a multitude of mediums.
At the core is his love and dedication to the realism in captured moments of humanity that only the lens of photography can provide. With a background in architecture and design underpinning his artistic journey, Bernardo joined deviantART almost a decade ago and in that time has generated a formidable and impressive body of work on h
The Rise Of The Artist, You Are The Future by techgnotic, journal
The Rise Of The Artist, You Are The Future
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February 27, 2013/by techgnotic (https://www.deviantart.com/techgnotic)
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You Are The Future
Forward by techgnotic (https://www.deviantart.com/techgnotic)
Picasso seeing a seven as an upside down nose?
Right brain warriors in the new age will be the coveted candidates ordained to lead and guide us; lifting the torch to light the way forward into a brave new beautiful world.
Artists have always feared that they are unappreciated and that the march of progress comes only from business, science and their machines. 1984 was imagined by an artist projecting these exact fears. Our guest essayist suggests the computer will never be our master, but only
The Enduring Enigma of Collage by techgnotic, journal
The Enduring Enigma of Collage
February 21, 2013/by techgnotic (https://www.deviantart.com/techgnotic)
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By techgnotic (https://www.deviantart.com/techgnotic)
Collage is one of those art forms that immediately sets off heated debate about our most fundamental ideas and visceral feelings about the very essence of art itself.
Turn of the century troublemakers Georges Braque and Pablo Picasso began enhancing their paintings with glued on bits of cut out fabric and other materials, thus neatly blurring the line between the art categories of painting and sculpture. They shifted the emphasis or “meaning” of their painted images beyond an attempted interpretation of the painted “text” to thinking about